Editing and Montage Film - 638 Words

â€Å"Once I understood that editing is crucial to how a film is made, I was hooked. Imagine: placed in your hands is fantastic raw footage that 250 people have created during shooting. You and the director are then allowed to sculpt this raw material into something that has structure, rhythm and pace, that builds characters, that creates dramatic peaks and lows and that hopefully has a good ending. Editing is an incredibly rewarding profession. Film editing is described, when typed in to google as â€Å"the activity of selecting the scenes to be shown and putting them together to create a film† `but it is much more than just that. If done well it is invisible but also has the ability to control a film, even control the viewer watching the film. The process of editing film has been around nearly as long as film itself. After the cinema of attractions, people realised a narrative story could be constructed by splicing ends of celluloid together to tell a story. The most famous early example of this is The Great Train Robbery (1903) directed by Edwin S. Porter. Before Porters film the cinema of attractions consisted of single shot films of streets and crowded areas, projected later that day so that the people could see themselves on the big screen. As the 1900’s marched on so did editing and montage. The Great Train Robbery had established that it was possible to create a narrative by cutting film. The next decade would build on that and establish rules which apply to films today. OneShow MoreRelatedFilm As An Art Form1643 Words   |  7 Pagesimported and old Russian films in cinemas soon increased, paving the way for emerging Soviet directors to produce new films. This movement, although censored by the government, wanted to be free to experiment with film as an art form. A method of this was viewing editing as a tool instead of a necessity. Both Sergei Eisenstein and Vsevolod Pudovkin are key directors and theorists of the Soviet film industry who used the freedom of editing to create new exciting theories of montage which have been implementedRead MoreMontage From The Soviet Era Essay1353 Words   |  6 PagesMontage The use of montage dates back to the days of Eisenstein and it has greatly transformed the film industry in several major ways. Montage has been used in the film industry to combine several series of short shots into a continuous film that can be watch by audience. This essay is aimed at illustrating the history of Montage from the Soviet era in the 1930s especially the use of the Soviet montage theory to better the quality of films that we watch today. The connotation of the word â€Å"montage†Read MoreFilm As An Art Form1721 Words   |  7 Pagesand old Russian films in cinemas soon increased, this lead the way for emerging soviet directors to produce new films. This movement although censored by the government, wanted to be free to experiment with film as an art form. A method of this, was viewing editing as a tool instead of a necessity. Sergei Eisenstein is one of the key directors and theorist in soviet film; the work of Vsevolod Pudovkin also. Both used the freedom of editing, to create new exciting theories of montage, to which canRead MoreThe Technique Of Film Video Editing History Theory And Practice1100 Words   |  5 PagesTechnique of Film Video Editing History Theory and Practice we can clearly see how editing has changed from the earliest films, when editing was nonexistent to a time when the camera never moved when shooting a scene to a time where you can use montage concepts to make a film more dynamic for the viewer. These were all different stages editing has gone through to get to the point where can use editing as a story telling tool which is just as important as the any other part of creating a film. EdwinRead MoreDo The Right Thing Analysis1257 Words   |  6 Pagescontribute to the significance of a film. Cinematography, is one important element in which the camera is used to capture visual images through a number of other controllable elements such as; camera lens, framing, scale, movement etc. Editing is another fundamental component of film studies in which different shots are put together in a coherent sequence in order to make meaning of a film. In the film â€Å"Do The Right Thing† by Spike Lee, cinematography and editing serve as critical components to emphasizeRead MoreMotivational Essay : An Interview With Film Editor Walter Murch1391 Words   |  6 PagesMOTIVATIONAL ESSAY JOURNAL ALEXANDROS PATERIMOS 21700191 EDITING Y1 T1 SUMMARIES OF READINGS: AN INTERVIEW WITH FILM EDITOR WALTER MURCH: †¢ to make a convincing action sequence: - approximately 14 different camera angles/minute needed - too many more/less than 14 will disengage audience †¢ perceiving brain reacts differently to new visual info than to something seen before †¢ engaging dialogue scenes need approximately 4 different camera angles/minute - too many more will make it hard for audienceRead MoreLev Vladimirovich Kuleshov and The Moscow Film School Essay918 Words   |  4 PagesWhen film first started gaining popularity, it want’s as obvious that be connecting two different images, we would assume their relation. Film simply document events that occurred, it wasn’t until the enterprising pioneers of early cinema took hold that they began to manipulate their audience into following a story their way and feeling it in those exact steps. Lev Vladimirovich Kuleshov a Soviet filmmaker and film theorist in the 1920s who taught at and helped establish the world’s first film schoolRead MoreClassical Movie Theories And Realism1433 Words   |  6 PagesOption 2 Classical film theories are generally divided into two main camps. They have been categorized as Formalism and Realism. The formalist approach looks at the structure and form of the film. It analyzes the method by which the story materializes and how it forces the viewer to react based on the way it is presented. It incorporates character development, photographic composition, camera movement, set design, editing, etc. to that end. The realist approach scrutinizes how a film represents â€Å"realityRead MoreWho was Vsevold Pudovkin? Essay1467 Words   |  6 PagesGriffiths film â€Å" Intolerance† he was inspired to follow film. He applied to the Sate Institute of Cinematography at Moscow in 1919. However in 1919 film was still a very young art form and ideas and techniques that are commonplace today were just being developed at that time. Pudovkin most influential role in the world cinema was his theories on editing. He recorded that editing is an aspect of film art form, w hich completely different compared to other forms of art. He believed editing shots togetherRead MoreHow Did The Odessa Steps Sequence Influence The Theory Of Montage1144 Words   |  5 Pagestheory of montage in film? The Battleship Potemkin, is a soviet film directed by Sergei Eisenstein in 1925. Sergei Eisenstein was a brief student at The Kuleshov Workshop, which was a class run by Soviet filmmaker, Lev Kuleshov at the Moscow Film School. The school was established in 1919, and is the world’s first film school. The Kuleshov Workshop explored the effects of juxtaposition in film, and how sequential shots convey a specific meaning. Kuleshov and his students analyzed many films for research

Bertha K. Baum Free Essays

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Ghosts Essay Example For Students

Ghosts Essay Many people do not believe in ghosts or laugh when people say that you saw a ghost. Yet, for those that dont believe, researchers say that at least 50 million Americans, or 20% of the population, have had one or more after death communication experiences with ghosts or spirits and the actual numbers may be closer to double these figures now!A ghost can be described as a form of recording like a audio or videotape. A ghost simply has no life or force left in it. Ghosts simply play the same scene over and over again. The ghost consists of left behind energy by a person, or even an animal. That is because if a person repeats or performs repetitious acts for long periods of time, he or she will have left a psychic impression in that area. This impression may stay around in a certain area after the person has moved or is even dead. These ghost usually have clearly seen facial features and even a body odor or the sent of cologne. There are three types of ghosts. The first type can be seen just like a normal living person but their image is usually cloudy. Sometimes people can only see their head and shoulders, but at other times the whole body can seem completely normal, no matter what the cause of death. The second type of experience is an animal ghost: especially of a loved family pet. Many people believe that only the intelligent animals have souls. The most common pets that come back as a ghost form are dogs, cats, and horses. Researches say if people have great love for an animal and constantly grieve the loss of their pet, this will have the same effect as dying a sudden or violent death, and this will cause the animal to come back and live with them for a shot period of time. There have been some case studies that have shown that people had experiences with cats rubbing up and down their leg and a ball of yarn getting played around with like there really was a cat there. There are four different reasons why ghosts do come back. The first reason is if the person dies suddenly with little warning, like a car accident. Second, a person can be kept on this world because of an unkept promise they made to a loved one, like they said they were going to ask there loved one to get married. Third, he or she had some unfinished business that was not yet finished, this usually happens with a loved one, like they made a promise to them and they never got to fulfill that promise. Fourth, if they were murdered at an untimely point in their life. The third type of experience is the most common contact and many people just think their imagining it. This form is called sensing ones presence. People can experience this when someone that is close to them died and they sense that there loved one is nearby, even though he or she cant be seen or heard. This the most common form of contact felt days, weeks, months, or even years after a loved one dies. Spirits differ from ghost in many ways. A spirit is the actual living essence or soul of the person that has remained after their body has died. Spirits, unlike ghosts, can communicate with the living. The first way they can do this would be though dreams. Although this is a rare occurrence, a spirit can make itself appear as an apparition or make small items physically move. Another way they can communicate with the living is threw psychic communication. This usually happens frequently in a place where the deceased spent his or her time. They say that sudden and unexplained feeling of sadness or melancholy are the most common indications if the sprit is encountered in one room. The results show that when a person sees a ghost it usually depends on the type of situation that the person is in. If a loved one dies and the person comes back to see the loved one, some people feel a warm sensation that is very close to them and that sometimes help them not to grieve as much. This make peo ple think of all the fun times of their loved one and this makes them feel more at ease. In other cases when people see ghosts they automatically freak out even if it doesnt cause any harm. The reason for this reaction is because the people arent exposed to this everyday and it makes them very terrified.Bibliography:Paranormal Experiences?I.IntroductionII. Types of Paranormal experiencesA. Ghost 1. People2. Animals3. SensesB. Sprits1. Dreams2. Psychic communicationIII. Reasons for manifestationA. Sudden deathB. Broken PromisesC. Unfinished businessD. Untimely murderIV. Debate over weather ghosts existA. ProB. ConV.Conclusion